男主跟父亲生活在一起，趁着父亲不在家的时候，男主总爱带自己的女朋友回家慰藉自己的不爽，而直到有一天。父亲带回来一个女人，声称这个女人以后就是自己的妻子了，然而善良的父亲却没想到，这个女人竟然就是男主的前女友，更重要的是，这个女人对男主还有另类的情愫....

沙迪（萨莱·巴克里 Saleh Bakri 饰）的妹妹就要结婚了，根据村里的传统，沙迪必须和父亲（穆罕默德·巴克里 Mohammed Bakri 饰）开着他们的小车，挨家挨户的当面将请柬送给亲戚朋友们。这也就意味着，沙迪一路上都要和自己久别重逢的父亲捆绑在一起。 　　沙迪对于父亲的很多生活习惯都非常的看不惯，觉得他思想顽固而落后，就像家乡里的大部分碌碌无为的人一样。在沙迪很小的时候，母亲无法忍受村里闭塞的环境，选择抛弃了丈夫和孩子们远走他乡，虽然沙迪失去了母爱，但是现在的他完全可以理解母亲当初的选择。随着旅行的行进，沙迪和父亲之间的关系越来越紧张起来。

For some, a dirndl is just a pretty, colourful dress with an apron; for others, it is a symbolically charged provocation. Just like items of clothing, places can also be contaminated. The narratives constructed around them are constantly changed and adapted by private family histories and historical circumstances – and with each generation, a new reading is superimposed on these layers. This Super 8 film dives deep down into the idyll of Austria’s Lake Grundlsee to reveal the chasms that lie beneath.

For some, a dirndl is just a pretty, colourful dress with an apron; for others, it is a symbolically charged provocation. Just like items of clothing, places can also be contaminated. The narratives constructed around them are constantly changed and adapted by private family histories and historical circumstances – and with each generation, a new reading is superimposed on these layers. This Super 8 film dives deep down into the idyll of Austria’s Lake Grundlsee to reveal the chasms that lie beneath.

阿拉伯裔的Khaled和犹太裔的David在结婚的道路上有两大拦路虎：Khaled恐同的父亲Aledrissi和David不喜欢阿拉伯人的母亲Lea。雪上加霜的是Aledrissi的房租到期，面临着Lea的驱赶， 而David一次意外导致Sarah怀孕， 她也在此时找上门来。

特里（彼得·克劳斯 Peter Krause 饰）是一名典型的美国成功人士，有一位美丽的妻子和一份体面的工作。然而，某一日，在特里丢掉了自己的工作之后，他所拥有的一切都化作了泡影。暂时还无法找到新工作的特里整天无所事事的待在家中，拿着遥控器在一个又一个电视节目之间轮番切换。 　　一天，特里发现自己家对面的公寓里搬来了一位新房客——穆斯林学生加布（可夏洛德·阿卜·纳嘉 Khaled Abol Naga 饰），加布的古怪举动引起了特里的注意，他不仅在家中偷偷摸摸的招待了一群和他一样的中东人，而且还偷偷的翻邻居们的垃圾。特里有理由认为，加布正在策划一场恐怖袭击。

When 15-year-old Jennifer Pandos went missing in 1987, her parents told everyone she ran away. Decades later, her brother Stephen begins a relentless odyssey in search of the truth. His investigation into the case threatens to destroy his family as he becomes strongly convinced that his parents are both implicated in the crime. As time passes, more threads unravel and new evidence comes to light, Stephen starts to question everything he has come to believe. Burden of Proof premieres June 6, only on Max.

美少女米娜住在阿富汗的偏远村庄，她遵照地方习俗，与未婚夫很少往来。但认识了来自加拿大的电影团队之后，她对世界改观了。

在《责任》里继续着《忠诚》留下的，Hornblower和Maria结婚了。他结婚第二天，就航海去法国的海岸去找失踪的船。当他在暴风雪里面，营救了法国人和他美国夫人，Hornblower发现自己介于了法国老派发对者和英国的有手腕的外交官之间。

Over the last 15 years, the bloody military regime that ruled Argentina from 1976 to 1983 has been referred to as a "civic-military dictatorship" due to the heavy involvement of civil sectors in its operations. Those linked to big factories and companies were the main beneficiaries of the economic policies of the period. These companies actively contributed to the repression of workers and union delegates and even to the tragic count of the 30,000 "desaparecidos". 　　Jonathan Perel's documentary is as precise as possible about this complicity with death and terror. His method is disarmingly simple, but also clear, powerful and conclusive. The film is structured as a series of steady, handheld long shots recorded from inside a car parked in front of these companies all over Argentina today, most of them still active. On the soundtrack, we hear the voice of Perel himself casually reading out excerpts from a book never printed: the 25 case studies which make up the report by the Ministry of Justice and Human Rights demonstrating corporate accountability in the repression of workers. His gaze is akin to that of private detective determined to prevent these companies from eluding justice.